Thursday, 12 March 2015

What's in your classroom?

Last Friday we were clearing up after the workshop. We walked around the room collecting the empty plastic water bottles and set off towards the bins. Grace, one of the DAPP teachers working on the film, rushed over and asked if she could take the bottles instead. We asked why, and she reeled off five different ways in which she could use them as teaching and learning resources in her classroom.

Resources are central to two fields that I work in. Practically, resources (or lack of) are prominent in the literature on teaching in low-come contexts. When you read about rural and remote schools in particular, or speak to teachers who work there, a lack of paper, pencils, chalk and visual aids are a key issue (not to mention a lack of more substantial things that make teaching easier, like desks, benches, black-boards, electricity… classrooms…).




Conceptually, much of my work has drawn on Amartya Sen’s capability approach. Central to this is an evaluation of the freedom an individual has to pursue and achieve objectives (or capabilities) which they have reason to value. In international development (and more recently, education), a focus on capabilities has been positioned as an alternative to approaches which strive for equality in utilitarian terms (i.e. everyone having the same resources). In his book Inequality Reexamined, Sen asked: equality of what? Sen agrees that resources are important. However, the value isn't in the resource itself, but the freedom a person has to utilise that resource to achieve an end goal.



The obvious example is money. Say you have (since we’re in Malawi) two 1000 Kwacha notes (1000 Kwacha is worth about £1.50). You give one to a person living in a city and one to a person living in a remote, rural hamlet. Financially, each note has equal value, but their opportunity to convert the note into valuable outcomes is less equal. The city person could walk to the bank and pay it into an account where it would gain interest, or they could treat a friend to a coffee at a hotel, or they could by anti-malarial drugs at a clinic, or spend it on fruit at a supermarket… etc. The rural person has different freedoms to utilise the note. In some ways this freedom could be limited (for example it might cost 1000 Kwacha to get to a bank in the first place) but in others it may be expanded (they might be able to get a lot more fruit for 1000 Kwacha at a local market than the city person could in a supermarket, or they might be able to invest it in a farming cooperative). So, whether the end goal is something tangible like a mango, or a more abstract goal like good health, different people have different capabilities to pursue these, even if they have the same level of ‘resource’. All this is before you factor in things like age, gender, existing income, personal contacts, family expectations, cultural norms and expectations and so on.

So, bringing the practical and the conceptual together… resources are important in teaching, but we also know of countless projects which have donated books, computers, generators, etc to schools and had no discernible impact on the learning outcomes of the pupils. Resources are important, but they need to be contextualised, appropriate and meaningful for both teachers and pupils if they are to enhance teachers’ freedoms to ensure their pupils learn.

All this is a long-winded way of introducing the TALULAR Rooms at the two DAPP teacher colleges we've visited - Chilongoma and Amalika. TALULAR means Teaching and Learning Using Locally Available Resources. The rooms are incredible spaces, categorised by subject, and full-to-bursting of teaching aids, all made by the students from every-day items - many of which would normally be seen as rubbish and thrown away.




Our favourites included a very simple counter in which bottle caps were strung onto a bow-like frame made of wood and string, and a working model of the respiratory system made from a large plastic water bottle, balloons, a biro, some clay, and a plastic bag.

The students proudly showed us all of the things they’d made and collected for the resource room, and talked passionately about the importance of them in their teaching. They talked about how important it was for pupils to 'see' how lungs (the balloons) inflate when we breathe in and they fill up with air, rather than just be told about it, and how basic sums become much easier when a child has a counter. They also talked about how much more fun school is for children when they can play musical instruments (they had shakers made from food cans full of beans or rice, tambourines made from plastic bottles and bottle caps and drums made from cardboard boxes and animal skins) and how classrooms are more stimulating and attractive learning environments when there are wall charts and posters.

I've spoken to a lot of student teachers in my work, and none of these assertions are uncommon. Nearly all of the 300 student teachers I surveyed in Ghana recently said that more and better resources would improve their teaching. What is less common is student teachers having innovative, but also very practical ideas about how they can create these from every-day items (in capability terms, this can be seen as the freedom to convert a resource into an outcome). This is a central element of the DAPP approach.

It is very unlikely that schools in low-income contexts - and especially rural ones - are going to get significantly increased budgets for teaching resources any time soon. But one way of enhancing the learning experience for children in these contexts is to have more teachers like Grace who - at the end of a long week of teaching and filming workshops - see an empty plastic bottle and don't think 'rubbish', but think:

1) stock for my classroom 'shop'
2) musical instrument
3) vessel for teaching volumes of liquid
4) the children could use them to make cars in an expressive arts lesson
5) the label can help with reading.

It's really crucial that teacher preparation programmes support teachers to develop these capabilities - to convert resources that are available to almost everyone into appropriate, useful, attractive and fun teaching aids to support better quality teaching in rural classrooms.

P.S. You can see some really great examples of these in the film!


Tuesday, 10 March 2015

Last day of Filming?

Considering we're only here for such a short time, it's certainly impressive that we've managed to pack in over six days of filming, between workshops and school visits. Today was the last day of filming at Nasonjo school, and that leaves only two days before the group gathers again for the editing workshop, and only three days before the screening! I'll be producing an assembly/first cut edit for the group based on the planning we did at the last workshop, and then the group will review the edit on Thursday, with changes and a few finishing touches to be done for Friday's screening.

Time is really a huge factor in this project. Every day there have been new things to discuss, both in terms of content (every interview question leads to discussion, and the interview rehearsal often sparks more thoughts), but also in terms of film-making (technically and aesthetically). The great thing is that the group have been so open, and there has been a real sense of sharing knowledge for all of us, all fuelled by the enthusiasm and energy of the staff from the two schools.















Sunday, 8 March 2015

Malarone is my friend

One of the seldom written up arts of fieldwork is that of staying well in a different environment.  I've had a few more opportunities to travel with people who're really experienced fieldworkers in the last year or so, and it's been really interesting to compare notes on what works and what to take with you.  Over the years I've developed my own preferences, but the real basics are something to patch up and disinfect breaks in the skin (currently iodine though I'm quite fond of a nail varnish like product called Germoline new skin) and something to deal with the inevitable dodgy stomach (charcoal and water unless it's really bad).

On top of that all I'd nonimate my good friend - Malarone.  I don't have a malaria story of my own, thankfully, but I'm really glad that we've left the delights of chloroquine (rotted my belly) and Lariam (somewhat exhausting dreams) behind and now have something that works everywhere I've been recently and simply involves one pill a day that has no side effects I've ever experienced other than preventing malaria.


Some other things I've found useful over the years:

Sun cream
Paracetomol
Puritab water treatment
Tiger balm
Mosquito repellent
Sterile set (never had to use this thankfully)

Probably the most useful thing is to learn to pace yourself.  We're working six long-ish days a week and while the climate is being very kind to us and we have a great place to stay it still adds up.  So probably my best friend of all is my day off, and I'm off to relax.

The script converges


It's been a bit busy with filming, so there hasn't been much time to post this week.  We've made a lot of progress though, and finished with a longer workshop yesterday where we checked through all the material that has been shot with the group and checked back against the script ideas from last week.

It was really encouraging to see the wealth of stories coming through and that the interviews and the cutaways would really reinforce one another.  For me personally some of the most interesting moments were where the boundaries between ideas in the practice of the teachers we were working with didn't match our own.

A good example of this is the notion of 'active learning'.  At one stage I counted what seemed like three different things to us which were all being linked to active learning: (i) the pedagogical practice of involving children in investigation and group work to make learning more effective, (ii) building in physical activity to the school days to increase concentration during class-room time, and (iii) running a full extracurricular programme (such as sports and community days), which draw students in by offering them fun and excitement. This could be re-wrapped up academically by talking about child-centred learning and affect, but the challenge is drawing out the deeper working theories that our teacher participants work by in ways that come across to our international audience.

On to the edit....

Wednesday, 4 March 2015

Mobile kit review

We've been quite interested to see what mobiles and tablets give in terms of workflow, in field conditions.  Rick Goldsmith of Catcher Media has been using ipads in workshops for some time now, and he's built up a nice set of accessories that bridge the gap between a handheld ipad and something a group can work with and hope to get good sound.  This kit was based on what he's learned so far.


The basic kit, consists of:
  • iPad
  • A USB mic
  • Cables: lightning-USB converter, USB cable, USB extension
  • A Joy Factory Unite tripod mount
  • Lightweight tripod
  • Headphones
  • Boom pole.
Apps on the ipads:
  • iMovie
  • Pinnacle Studio
  • Videon

The mic allows for direct monitoring with headphones, and can be mounted on a boom pole for 2 person operation. This gives a lot of flexibility as one can move from a handheld solo ipad to a set up that works reasonably well for interviews.  We didn't buy a specific tripod and boom pole for this project, but the lightweight one here is fine (from my DSLR travel kit).  A lighter boom pole would have been quite feasible, and would have given a nicely portable overall weight of kit.  An alternative to the tripod and tripod mount would be some kind of clamp, which would again cut down on weight and size by replacing the tripod with door frames, chairs or whatever else offers a stable edge to clamp on to.

In terms of apps, we have a number loaded on, but these three are the key ones we've used so far. iMovie is very intuitive, but the Pinnacle app adds a few more features (separating out sound tracks, for example) which give a little more scope without being hard to use.  Videon offers more creative control and even some simple editing facilities like splitting clips and colour correction.


The advantages:

  • Ease of use - shooting and editing both take very little time to introduce, even with a group who're not really familiar with technology interfaces and controls.  We were really struck on this project with how quickly participants took to editing.
  • Can monitor sound (the mic has a headphone socket) and image (the screen is a nice size to see the shots).
  • Can shoot, edit and review on the same device.  It can also play out to a projector, or files can be shared between ipads or transferred to laptops for further editing (more on this separately).
  • There was a lot of interest in the ipads from participants, and request to have extra time playing with them, which we regard as a very healthy sign.
  • They work for small group work (3-4) people.  We've used them for interview practice and small two shot dramas. These play to the strengths of the device without making difficulties 
Issues we've run into
  • The lightning to USB connection comes loose a little too easily for comfort.
  • Reflections obscuring the image on screen while filming outdoors
  • The clamp can be a bit fiddly to fit on the the ipad so as to leave the lightning port free.  Rick had to drill a hole in it to be able to use an ipad mini camera as otherwise this would be covered over.
  • The controls in the basic camera app are quite primitive, and it 's very easy to get mixed up between shooting modes and record photos rather than video clips (for example).
Overall we think there's a lot to be said for this set up for building up skills.  It's not quite as satisfying for group work or for introducing video controls as camcorder based setups, but that might just be the way we're used to working.

I'm going to post this any any kit reviews on a separate blog as well - http://pvkit.blogspot.com/, which I'd like to keep going beyond this project.  It'd be great if any other PV practioners out there would like to share what they've found too.  Leave a comment on the blog or email me if you'd like to be invited to be a contributor.

Tuesday, 3 March 2015

iPad film-making and "Making a film"

Been thinking this morning about the challenges the group face when using iPads to make a film. We've been thinking that this project would be a really good way to test out the strengths and some of the pitfalls of using this kit out in the field in order to create a film.

Some exciting things: its so easy to get some material filmed, and with a few extra bits of kit, relatively easy to get good quality sound and image.

It's also great that people can use the camera controls and the editing software so quickly (and you've got to remember I remember the days of dust on the tape and drop out, cables not working, the hours spent trying to get material into the edit interface, and the hours introducing groups to an editing interface - not minutes) but now it's just there!

The ability for groups to share media and even their edit projects is very exciting and something we're keen to explore within the project - the way that groups could edit separate scenes of an agreed script/outline plan and bring them together or even work on a single edit like video consequences - by passing the material back and forth between different iPads.

There's also the possibility of tagging or making notes on the material so when it's transferred to a computer for a final edit these notes can be consulted. 

Some challenges: thinking about this - it somehow feels a little harder to create a considered approach within this - yes it does rely on the work you do around this before filming, but there is such a temptation to just shoot and shoot and shoot.

The general robustness is an issue too - could they survive a drop? The screens can get grubby (making operations difficult) and in the sunlight here in Malawi those large reflective screens can be a real challenge to view (draping a black sheet over the opertaor and screen will help but you may feel like a Victorian location photographer - v. cutting edge not!) and the connecting cables are not high grade either so can damage or come loose very easily.

The free editing software is very limited too - iMovie is great but it can be quite rigid - there are a few workarounds but Pinnacle Studio (not free £8.99) functions more like an edit interface and there's definitely more scope to fine-tune the edit. This may sound like a film-maker's gripe but a group last Saturday straight away wanted to do certain things e.g. bring in audio at a specific point, and iMovie doesn't always make that as easy as it should be.

Also care must be taken when downloading apps - some may promise a little more than they deliver or may crash your iPad. So testing is crucial.

STRUCTURE: This morning also been thinking about possible structures, and directions the film might take i.e. it's message/s, after the workshops and all of the discussions my team and the group have been having, and after I spent yesterday looking at all of the notes as well, and talking about next steps for the workshops last night with Chris.

We need to bear in mind so many things and check these all the time  - potential audiences and how they may perceive and find the film challenging/helpful; expectations (the schools want the films to show off their schools and it certainly will and so it should - as they're great schools, but they're not promos - they're about exploring how these dynamic and resilient schools and teachers work). And as always there's TIME (drum roll) and that simple fact that we have a very limited timescale (next Friday we are having a screening of some of the material!) in which to construct a film rather than just a sequence of interviews.

So: themes of Motivation, How the school and teachers encourage, support and teach themselves and their pupils, and How outward-facing schools can co-opt/ work with the community and other agencies.

Mmmmm: thinking of chapters now (and TIME!!!!) and even a 10 TIPS for a successful school/teacher like Grace's successful pupil or her bottle collecting.

The rest I'll mull on - do some more back-brain thinking.

Mixing it up: Exercises and games

Saturday was scripting day.  But we started off gently with some storyboards, pitching and filming of some kit films - making a 2 shot advertisement about a piece of equipment.  It's an old standard, but in this case there was some confusion as we'd introduced the idea the evening before in a rush to set up the idea before the closing time of the workshop. Everything was shot and edited on the ipads, which proved themselves in this context at least.

We also ran some group interviews, and a wander around the garden at the lodge where we were holding the workshops to try and spot shots and sounds and ideas that would show what the place is like.

All of this made building a script easier.  In group work I find that with harder things like make collective sense of a script it pays to talk and then do something else and then talk and then something else and then come back to it.  It's like breathing - not a choice between in or out, either/or, but rather both, in good proportion.